Sophie Seita – LAST MOVEMENTS

from Fantasias in Counting (Buffalo, NY: BlazeVOX, 2014)

Walk—four Passi , then petty Seguito Scorsi, always one Trango to follow, to pull back then
Shuffle—then Man takes Lady’s ordinary hand for possible particular

All still movement is grave , Riverenza to the thigh or driven right or left that they be removed
since this going beyond making beautiful and charming view moves routinely

Now Riprese , Spezzato , trot left edge inwards , raise heels , enabling higher-frown glances ,
the hop is always for Settle

Of the various possibilities that are , as you hold it in then remove ,
that they should be vague and [  ] and any possibility within frames moves

So that—what is involved—first in one of those amounts to the fine and honourable ,
the foot held the principality , and respect before

Perfectly ordinary beats are all manners clumsy reverence but fine and honourable
the constancy and stability of that favourable toe be careful now finding yourself with feet

I will all the objects that do relate to him I will say                  none of them praised
the extended arm , and the lower surface on the side the front or the back

I will all the faces and edges and twists
even all that is reprehensible

‘Winner’ holds back that said arm , and the foot with the bottom-up shot ,
seems one of those who beg

When it contains extensive , and I of those with the sound of it face the opposite ,
or that the back , which swoons , it is the people , show in front , show in faces

Past the sweat , which , at the edge of a little twist, sings, it could not again ,
and in each of these possibilities comes somewhat indecent or culpable that which is relative
So for the head , hold grace , between good Pleasing and ornate Boredom,
take the foot for the turn , just

Hold it to the lower part towards this
you        associated with ordinary hands , partly with a view to

turning

then take ordinary hands back.

(All of this takes place in two counts.)

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